front cover of Crime and the Media
Crime and the Media
The Post-Modern Spectacle
Edited by David Kidd-Hewitt and Richard Osborne
Pluto Press, 1996
This book brings together key debates within cultural studies, media studies, criminology and sociology on the relationship between the media and crime in a postmodern society – highlighted by recent controversies on the effects of media portrayals of violence and crime on the community at large.

Real-life crime, crime reconstruction and crime as entertainment are categories that are now so interdependent that the media itself is in danger of confusing the genres as it seeks to profit from their undoubted appeal. This intertextuality is a key theme in this collection. The contributors highlight and theorise the symbiosis that exists between real crime and its representations, from media moral panics, policing the crisis and representing order to the postmodern confusion of crime and spectacle, trial by media and trials on media. As recent debates have shown all too starkly, the media's neutrality in this critical area is ever more problematic.

This is an invaluable introduction to new thinking in a pressing contemporary debate.
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Music by Numbers
The Use and Abuse of Statistics in the Music Industry
Edited by Richard Osborne and Dave Laing
Intellect Books, 2021

An edited volume that examines the data and statistics that are key to the music industry.

The music industries are fueled by statistics: sales targets, breakeven points, success ratios, royalty splits, website hits, ticket revenues, listener figures, piracy abuses, and big data. Statistics are of consequence. They influence the music that consumers get to hear, they determine the revenues of music makers, and they shape the policies of governments and legislators. Yet many of these statistics are generated by the music industries themselves, and their accuracy can be questioned. Music by Numbers sets out to explore this shadowy terrain.

This edited collection provides the first in-depth examination of the use and abuse of statistics in the music industry. Written by noted music business scholars and practitioners in the field, the book addresses five key areas in which numbers are employed: sales and awards; music industry policy; live music; music piracy; and digital solutions. The authors address these subjects from a range of perspectives: some of them test the veracity of this data and explore its tactical use by music businesses; others help to generate these numbers by developing surveys and online projects and offering candid observations.

The aim of this collection is to expose the culture and politics of data. Music industry statistics are pervasive, but despite this ubiquity they are underexplored. This book offers a corrective by providing new ways by which to learn music by numbers.

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